Download scientific diagram | Score extract from Gyorgy Ligeti’s Devil’s Staircase, representing the TSU Endless trajectory. Reprinted with kind permission of. A really interesting point that I absolutely love about this piece is the fact that there is almost always an upwards movement, trying to escape. So this week I decided to study “The Devil’s Staircase”, by Hungarian composer, Gyorgy Ligeti. The piece is heavily technically difficult as well.

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The opening piece of Musica ricercata shows in a very palpable way the creative forces that a radical self-limitation can unleash. In case of emergency.

Études (Ligeti)

Thanks to our partners and sponsors: Email required Address never made public. It also demonstrates the composers interest in American minimal music. I remember having the same P. We intend to keep a record of our study, thinking and compositional projects to document our work, show the world outside what we do and invite comment. For me, the images created within this piece, are generated by the use of the initial leaps of 2 octaves and a 6th — perfectly imitating the physically disjunctive motion of walking ligetti the stairs.

This bonkers Ligeti etude could be the loudest piece we’ve ever heard (it has – Classic FM

In stave 3, the bass takes on the role of being a percussive driving force. You are commenting using your Twitter account.

Any way I could ask for a copy of the score? Again, the imagery this conjures is that the journey begins again — the fleeing soul has made it half way, and has now been thwarted, and must again begin its journey. Please log in using ztaircase of these methods to post your comment: With ten fingers, the pianist plays staircaae to seven different layers, each with its own tempo, dynamics and tone colour.


All in all, I got a lot out of studying this piece — I really enjoyed the musical metaphors that were used in this piece, and I found this piece thoroughly entertaining for this very reason.

You are commenting using your WordPress. The way the piece is actually divided is into large bars of 36 beats, which are then further divided into 3 bars, but this division is asymetrical.

This is until there is a sudden and unexpected mood change. You dveil commenting using your Facebook account. You are commenting using your WordPress. A great listen, I recommend.

Email required Address never made public. The piece continues in this way — ascending for vast periods of musical time, then returning down again, instantaneously. The very consistent and constant pulse throughout the piece remains intact, as the highest notes are played at extreme dynamic levels, when, all of a sudden, this consistency is destroyed, with a sudden shift to a very long and slow bass chord played at the lower extreme of the instrumental range.

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Ligeti Etude The Devil’s Staircase | Monash Composers

The piece, thus far, seem to lean towards this point, and one might expect a climax, but in bar 18, the consistency of texture, and pitch material drop instantly — much the same as bar stave 3. It was with stairdase piano collection Musica ricercata that the Hungarian composer laid the foundations of an individual musical language in the early s.

In addition to a video recording staircass each work, the interactive scores include introductions and performing suggestions as well as film sequences from masterclasses and previously unpublished remarks and explanations from the composer. As the piece goes on, the ascending sections reach higher and higher closer and closer out of hell? To find out more, including how to control cookies, see here: Create a free website or blog stqircase WordPress.


The Piece ascends and ascends to the extreme upper pitches of the piano. This is a blog for staff and students in the Composition Program at Monash University. In his second etude Ligeti follows this tradition by using the interval of a fifth. Haydn — Symphony No.

This bonkers Ligeti etude could be the loudest piece we’ve ever heard (it has EIGHT fortes)

The piece is heavily technically difficult as well as heavily metaphorical. Usually virtuosic pieces do not particularly enthrall me, as I usually find that there is not a lot of musical content or meaning behind them. Often they are not full lines either, but dashed lines very often in the middle of the page, as that seems to be the only consistent place they are.

After over two minutes of constant pulse and movement, flowing upwards, and over 20 seconds playing the highest notes on the piano at very high dynamic levels, there devkl a sudden shift to a very long and slow bass end chord sequence.

Leave a Reply Cancel reply Enter your comment here We hope that over time the blog will provide useful hints and ideas about the creative processes of composition. Ligeti was a piano player, this is clear from some of the incredible dexterities required of the piano player. Here the composer restricts his musical material — with the exception of the final bars — to a single note: Ligeti also gives the player copious playing notes, mainly to explain some of his more eccentric notation and ideas.

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