JERRY BERGONZI HEXATONICS PDF

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1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. I ordered Jerry Bergonzi’s Hexatonics book, the seventh volume in his Inside Improvisation series. I had looked through some of his previous. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.

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I do plan to work on more of them soon.

To write it down or hexattonics give it a name, we will call it D triad over C triad. Newer Post Older Post Home. There is a full page of lines for each triad pair and a page for every key.

Pianists often use Hexatonics by stacking triads to create unusual chord voicings. Try it, you might like it! See also Chapter 8. As with the other books in this series, there is a play along CD to tryout all of these diflerent sounds.

Programma del triennio di di The first hexatonic is the one most commonly played, and also the one that Walt Wieskof bases his entire book on. G-7 7 Hexatonics in parenthesis create a higher degree of tension.

Try applying any of the hexatonics to progressions 13 and It fits well over diminished chords or dominant chords that are being played with diminished scales. Thousands of pages of Jazz transcriptions! D triad over e triad can be written and played in any inversion, jeerry example: Natural 11 heexatonics a dominant chord is an avoid note jwrry it sounds fine when used in passing. Nevertheless, it is a good way to practice in order to make it your own. A hexatonic scale is simply a scale of six notes, though these six notes are usually derived from two different mutually exclusive triads.

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Have each hexatonic be 1 bar,2 bars or 4 bars each. Some of the hexatonics in this book create a high level of tonal ambiguity.

Inside Improvisation Volume 7 – Hexatonics

So David, I was wondering, does Bergonzi have any reasoning as to why he proceeds in such a fashion? See also Chapter 9. What follows is a list of different melodies derived from this hexatonic scale. After playing through a bunch of different keys and permutations of each pair you are bergonsi to apply each over a few different tunes.

Triad pair are basically the same thing as hexatonic scales. On a minor 7th chord, the upper triad sounds the 9,: We improvise “in” the sound of the voicing and using hexatonic voicings and lines can lend a very contemporary sound.

[PDF] Jerry Bergonzi Vol 7 – Hexatonics – Free Download PDF

These are the work books from Jazz Harmon I’ve heard some rave reviews on Walt Weiskopf s book how do you spell that name? The book is big and just shy of pages. I 5 9 5 9 Try progressions 1 and 2 with this hexatonic, too. U 1’1 ttl “-” “Jerry Bergonzi- Vol 2 – Pentatonics Documents.

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This book will keep me busy for a long time, it’s really the most useful music book that I’ve run across in a long time. Like a blues scale, in the wrong hands this could be devastating!

Jerry Bergonzi Vol 7 –

In most ofthe following examples and etudes accidentals only apply to the note they are attached to. George Russell’s ‘Lydian Chromatic Concept’. Jerry’s book is more practical than Gary’s book.

By limiting note selection to six tones each triad consisting of threea more concise sonority is created. D IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Jerry has the triad pair written above the staff and the actual chord change written below it. On a minor 7th chord, the upper Wad sounds the 9, n 1 and