Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .
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This piece is so passionate.
I really can imagine a woman in a sea of bullfighters. That is when the dance really begins. Underlying the melody is a sense of danger, and I love how Berganza draws the listener viti. Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired.
The introduction of the piano was absolutely amazing it really built up the excitement for the piece.
Song Lied Mélodie: “El vito” by Obradors
The Links and Labels below should be helpful in finding what you are looking for. Connie April 6, at Beverly April 8, at 8: She brings so much ibradors to the character, and what a piano part! Although the piano version is exciting, pianists should really emulate the guitar which it is obviously modeled after. The drama and excitement obradorx gripping and very much sounds like something that would appeal to bull fighters.
I really love the rhythmic qualifies in the piano, and how they are mirrored in the vocal line.
The rhythmic impulse in this piece is absolutely driving and unrelenting. Amalia Osuga April 6, at 9: Another thrilling piece that keeps you on the edge of your seat! Shannon McAleb April 5, at It kind of feels not quite finished even though the way the pianist played the final chords would indicate obradoors end.
The way the voice and piano interact is playful, discrete and yet so profound. I can really hear the inspiration from the guitar.
What a sensual piece. It looks so fun to perform. Grant mack April 9, at 9: The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece.
Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)
How exciting when the images are so clear from listening to a piece. John April 3, at 9: Somehow Theresa Berganza sings this with a sense of relaxed ease, you can see it in her body and hear it in her voice.
I love this piece!!! All materials found here are for educational purposes only.
Fernando Obradors – Wikipedia
Sarah Benzinger April 5, at Ulysses April 6, at It embodies so much of what one expects of the “Spanish” sound. It is such an effective performance. The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text. The rhythmic intensity paired with the ease and improvisatory nature of this song create an atmosphere of unpredictability.
Con el vito, vito, vito, con el vito, vito, va. Berganza’s performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents this difficult song.
The pianist did a great job in making each note speak such that there was a lot of energy from the piano part. I enjoyed the rhythmic energy and drive of this music.