Matei Călinescu. · Rating details · ratings · 12 reviews. Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Front Cover. Matei Călinescu. Duke University Press, Modernist Cultures invites essays from various fields of inquiry, including anthropology, art history, cultural studies, ethnography, film studies, history, literature.

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The post-modernist temper demands that what was previously played out in fantasy and imagination must be acted in life as well. In a famous passage, which will be analyzed later, the author of Les Fleurs du Mal facss This hypothesis is meant to prepare the reader to follow the main argument of the book: From the point of view of modernity, an artist — whether he likes it or not — is cut off from the normative past with its fixed criteria, and tradition has no legitimate claim to offer him examples to imitate or directions to follow.

The process of erosion was started by a momentous revision of the values and doctrines that formed the legacy of the Mldernity Ages. What were the main results modeenity the Querelle? The distinction between antiquus and modernus seems to have always implied a polemic significance, or a principle of conflict. If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.

The argument of change, on which the defense of contemporary taste is based, may also be Stendhalian, but Baudelaire’s explicit identification of romanticism with modern od puts a new and radical emphasis on the idea of modernity and on the value of novelty.

Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism

One of the most interesting results of the early romantic debate in Calinesfu and then in other European countries is the enlargment of modernity’s concept to cover the whole romantic, i. Log In Sign Up. The Middle Ages think 25 differently. His work on Modernism is interesting, Postmodernism helpful, and the Avant-Garde crucial.

One day I will perhaps consider assimilating them into a separate volume.

Modernism, Avant-garde, Decadence, Kitsch, Postmodernism. There were also practical reasons for the rather loose and blurred time consciousness of the medieval individual. Modern democracy — as seen in its purest state, in America — is cwlinescu but the triumph of that which is both most natural and worst in man self-interest, aggressiveness, herd instinct, etc.

These items are shipped from and modrnity by different sellers. Amazon Music Stream millions of songs. The first literary use of “classic” classicus occurs in the second century, in Aulus Gellius’s Noctes Atticae 19, 8, The reader of today is nonetheless surprised to learn that the Quarrel between the Ancients and the Moderns kodernity began as early as the Middle Fivve and that it involved ideas and attitudes that few people outside the circles of medieval scholars would care to look for in the “Dark Ages.


Seen from this vantage point, progress and decadence appear indeed to be intimately linked: Once such consciousness is attained, the fleeting present can become truly creative and invent its own beauty, the beauty of transitoriness.

Here’s an example of what they look like: The most important one was probably the enrichment of the term “modern” with a number of sharply polemical connotations. In lieu of an abstract, here is a brief excerpt of the content: Hoffmann’s tales of the supernatural, and the typically Hoffmannesque antithesis between the creative powers of imagination symbolized by, among others, the unforgettable Anselmus in Der Goldene Topf and the utterly platitudinous character of the bourgeois world, with its solemn and empty earnestness.

FIVE FACES OF MODERNITY Modernism Avant-Garde Decadence Kitsch | Veria Wang –

Sign up for Subject Matters email updates to receive discounts, new book announcements, and more. Obviously, this can be achieved only on the basis of an acceptance of modernity as it is. Of course I have corrected the occasional typos or infelicities -when I spotted them.

Historians of the idea of progress have established that the famous maxim about the dwarf standing on the shoulders of a giant and being thus able to see farther than the giant himself can be traced back to Bernard of Moeernity, who died in The manuscript has been read wholly or in part by numerous colleagues and friends who have offered valuable suggestions.

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If He exists, He cannot die; if not, how can someone who has never existed die? Sophie Fidelite rated it it was amazing Aug 26, Poe, who…maintained that the great misfortune of his country was the lack of an aristocracy of birth, fivs, among a people without an aristocracy the cult of the Beautiful could only become corrupt, diminish and disappear — who charged fellow citizens, in their costly and pretentious luxury, with all the symptoms of bad taste characteristic of upstarts — who considered Progress, the great modern idea [italics 64 mine], as the fatuous dream of simpletons…– Poe was an exceptionally solitary mind.

But to account even briefly for the diverse intellec- tual responses to the problem of modernity, or for the forms of time consciousness involved in this notion, would have required a close examination of trends in philosophy, religion, and science over many centuries. Facces would heartily recommend this to anyone interested in modernism, and considering how omnipresent it is in relevant bibliographies, I reckon many would do the same!


The Quarrel offered the pattern for a broader distinction between two autonomous world views and scales of value, both of them equally legitimate historically: For whereas every Branch of Knowledge has received such wonderful Acquirements since his Age, especially within the last three Years or there- abouts; it is almost impossible, he could be so perfect in Modern Discoveries as his Advocates pretend.

Here is what the author of Racine et Shakespeare had to say about “romanticisme” as opposed to “classicisme”: Please log in to set a read status. Separated from its utilitarian goal, a machine can become an object of aesthetic contemplation, and a modernitg of art is not downgraded when it is compared to a machine.

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Even more difficult to defend convincingly in a pluralistic age like ours is the idea of an orthodoxy by whose standards we could decide whether this or that tendency is heretical or not. There is no real rupture in the continuity of the human effort to know, and the contribution of the ancients has made it easier for the moderns to understand aspects of nature that in antiquity would have been impossible to grasp.

Hurd speaks of classic and gothic as two perfectly autonomous worlds, neither of which can be considered superior to the other. Such parallels were not unknown to the Middle Ages, but the concept of antiquity was then quite different from what it came to mean after the Renaissance. The classic writers, we are told, are to be found among the ancient orators or poets “cohors antiquior vel oratorum vel poetarum”but the meaning of classicus, with its strongly positive connotations, is determined in the first place by the social reference to the “first class” of Roman citizens.

To speak of the immediate past — the past that naturally structures the present — as “dark” and at the same time posit the certainty of a “luminous” future — even if it be the revival of a previous Golden Age — involves a revolutionary way of thinking, for which we would try in vain to find coherent precedents before the Renaissance.

However, the ultimate reason for grouping together modernity, the avant-garde, decadence, and kitsch is aesthetic.